4/7/2023 0 Comments Mama said knock you out![]() ![]() “I cannot think of a better role model for an actor,” said actor Won Bin, who plays her son. Part noir thriller, part classic, melodramatic soap opera, the film’s narrative is propelled by the actions of “Mother”, played brilliantly by Kim Hye-ja, a staple of Korean acting who happens to be in her mid-60s. The director of one of Korea’s most financially successful films of all time shines a spotlight on a singular older woman with his daring detective story Mother, and proves that Korea is fast becoming a hot spot for interesting female film performances. Surfing on the crest of a new global wave of feminism generated by the splash of a celebrated new generation of auteurs is Bong Joon-ho, who made 2007’s The Host. It’s no surprise that these films, all featuring protagonists well over the age of 40, have all gone on to great international critical acclaim, as each highlights a singularly female experience that had not yet been portrayed for the screen. These films become important because they challenge convention and offer dynamic starring roles to the women acting in them, but also a chance for audiences to get a taste of what it is like for women in off-the-beaten path, unusual cinematic locales. (Iran), have all purposefully centered around the dramatic action created by unique leading ladies. Lucrecia Martel’s The Headless Woman (Argentina), Sebastien Silva’s The Maid (Chile), Martin Provost’s Seraphine (France) and Cyrus Nowrasteh’s The Stoning of Soraya M. Recently, to highlight the opportunities for actresses whose native tongue is other than English, there has been a spate of interesting, intelligent star vehicles for mature female performers that don’t necessarily bring in major box office receipts, but manage to dazzle with their originality, nonetheless. While there are major strides and power plays being made by English-language actresses like Sandra Bullock, Helen Mirren and Meryl Streep, the best roles for mature women are still being most actively realized outside of the conventional American-centric systems of film making. ![]() In a world where tepid films filled with ignorant goodwill (such as The Blind Side) are being celebrated with nominations for Best Picture at the Academy Awards and the nominees for Best Actress remain widely xenophobic, cinephiles must actively seek out interesting international films that star women, particularly real, interesting women over the age of 40, to get a true picture of what the climate is like for women in contemporary cinema. ![]()
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